Ana de Armas as Eve in Ballerina. | Lionsgate
Lionsgate was always going to need to take the John Wick franchise in a new direction if it wanted to keep the film series going after the inevitable exit of its central star. A spinoff series came and went with a telling lack of fanfare that spoke, in part, to how John Wick stories feel like they were meant to be experienced in movie theaters. And while the studio has a second tie-in show in the works, it seems like another project that might wind up being a sign that John Wick works best on the silver screen.
On paper, director Len Wiseman’s awkwardly named From the World of John Wick: Ballerina feature sounds like the sort of straightforward parallel prequel that could work as the beginning of a new chapter for the larger franchise. There’s a simplicity to the story and a comedic whimsy to (some of) its action that feels true to the John Wick brand. And there are enough returning faces from the older films that it works fairly well as a crash course introduction to this gore-filled world of assassins.
But in practice, Ballerina lacks a lot of the near-camp flair that made previous John Wick films fun, and most of its set pieces feel uninspired. Rather than using its story to …
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Lien de l’article original :
Ballerina is a dance-by-numbers return to the world of John Wick